{"id":14884,"date":"2026-02-03T10:50:48","date_gmt":"2026-02-03T09:50:48","guid":{"rendered":"https:\/\/www.palazzoroverella.com\/?page_id=14884"},"modified":"2026-06-29T16:45:15","modified_gmt":"2026-06-29T14:45:15","slug":"zandomeneghi-degas-impressionism-florence-paris-palazzo-roverella","status":"publish","type":"page","link":"https:\/\/www.palazzoroverella.com\/en\/zandomeneghi-degas-impressionism-florence-paris-palazzo-roverella\/","title":{"rendered":"Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi"},"content":{"rendered":"\n\t<section class=\"section has-parallax\" id=\"section_1404772772\">\n\t\t<div class=\"section-bg fill\" data-parallax-container=\".section\" data-parallax-background data-parallax=\"-5\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1796\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/foto_manifesto-3-scaled.jpg\" class=\"bg attachment-original size-original\" alt=\"\" \/>\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\t<div class=\"ux-shape-divider ux-shape-divider--bottom ux-shape-divider--style-tilt\">\n\t\t<svg viewBox=\"0 0 1000 100\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" preserveAspectRatio=\"none\">\n\t<path class=\"ux-shape-fill\" d=\"M1000 100V0L-40 100H1000Z\"\/>\n<\/svg>\n\t<\/div>\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\t\t<div class=\"show-for-small\">\n\t\t\t\t\n<div class=\"etichetta-mostra-eng\"><span class=\"etichetta-mostra-eng etichetta-mostra-stable-eng\">PAST EXHIBITION<\/span><\/div>\n\t\t<\/div>\n\t\n<div class=\"row row-collapse align-middle\"  id=\"row-287173504\">\n\n\t<div id=\"col-66814382\" class=\"col medium-9 small-12 large-9\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t\t<div class=\"hide-for-small\">\n\t\t\t\t\n<div class=\"etichetta-mostra-eng\"><span class=\"etichetta-mostra-eng etichetta-mostra-stable-eng\">PAST EXHIBITION<\/span><\/div>\n\t\t<\/div>\n\t\n\t<div id=\"gap-914640223\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-914640223 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"gap-1236760956\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1236760956 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1872537859\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1171\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/ZANDODEGASlogo-scaled.png\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/ZANDODEGASlogo-scaled.png 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/ZANDODEGASlogo-300x137.png 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/ZANDODEGASlogo-1024x468.png 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/ZANDODEGASlogo-768x351.png 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/ZANDODEGASlogo-1536x702.png 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/ZANDODEGASlogo-2048x936.png 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1872537859 {\n  width: 100%;\n}\n@media (min-width:550px) {\n  #image_1872537859 {\n    width: 80%;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3703186483\" class=\"text hidden\">\n\t\t\n<h2 style=\"font-weight: 500!important;\">Fotografia tra reale e surreale<\/h2>\n\t\t\n<style>\n#text-3703186483 {\n  color: rgb(231, 56, 67);\n}\n#text-3703186483 > * {\n  color: rgb(231, 56, 67);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1947410349\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"570\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/IMPRESSIONISMOlogo-scaled.png\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/IMPRESSIONISMOlogo-scaled.png 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/IMPRESSIONISMOlogo-300x67.png 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/IMPRESSIONISMOlogo-1024x228.png 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/IMPRESSIONISMOlogo-768x171.png 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/IMPRESSIONISMOlogo-1536x342.png 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/IMPRESSIONISMOlogo-2048x456.png 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1947410349 {\n  width: 100%;\n}\n@media (min-width:550px) {\n  #image_1947410349 {\n    width: 72%;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-4021573540\" class=\"text hidden\">\n\t\t\n<h2 style=\"font-weight: 500!important;\">L\u2019ALBA DI UN NUOVO CLASSICISMO<\/h2>\n\t\t\n<style>\n#text-4021573540 {\n  color: rgb(255,255,255);\n}\n#text-4021573540 > * {\n  color: rgb(255,255,255);\n}\n<\/style>\n\t<\/div>\n\t\n\n\t\t<div class=\"icon-box featured-box icon-box-left text-left\"  style=\"margin:0px 0px 0px 0px;\">\n\t\t\t\t\t<div class=\"icon-box-img\" style=\"width: 50px\">\n\t\t\t\t<div class=\"icon\">\n\t\t\t\t\t<div class=\"icon-inner\" >\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"124\" height=\"129\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/12\/icona-palazzo-roverella.png\" class=\"attachment-medium size-medium\" alt=\"\" \/>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<div class=\"icon-box-text last-reset\">\n\t\t\t\t\t\t\t\t\t\n\t<div id=\"text-2007224552\" class=\"text\">\n\t\t\n<p style=\"font-weight: 800!important; padding-top: 3px;\">27 February 2026<br \/>\n28 June 2026<\/p>\n\t\t\n<style>\n#text-2007224552 {\n  color: rgb(255,255,255);\n}\n#text-2007224552 > * {\n  color: rgb(255,255,255);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t<\/div>\n\t\n\t\n<div class=\"row\"  id=\"row-374052785\">\n\n\t<div id=\"col-303054666\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner text-center\"  >\n\t\t\t\n\t\t\t\n<a href=\"https:\/\/www.palazzoroverella.com\/en\/plan-your-visit\/\" class=\"button white is-outline is-large\" style=\"border-radius:5px;\">\n\t\t<span>Plan your visit<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-303054666 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 32px 0px 0px -15px;\n}\n@media (min-width:550px) {\n  #col-303054666 > .col-inner {\n    margin: 40px 0px 0px -13px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-2003633730\" class=\"col medium-5 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner text-center\"  >\n\t\t\t\n\t\t\t\n<a href=\"https:\/\/www.vivaticket.com\/it\/Venue\/palazzo-roverella\/13519050\" target=\"_blank\" class=\"button white is-outline is-large expand\" rel=\"noopener\" style=\"border-radius:5px;padding:0px 10px 0px 10px;\">\n\t\t<span>Buy your ticket<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-2003633730 > .col-inner {\n  padding: 0px 0px 10px 0px;\n  margin: -10px 0px 0px -15px;\n}\n@media (min-width:550px) {\n  #col-2003633730 > .col-inner {\n    margin: 52px 0px 0px -15px;\n  }\n}\n@media (min-width:850px) {\n  #col-2003633730 > .col-inner {\n    padding: 0px 0px 0px 0px;\n    margin: 40px 0px 0px -15px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-66814382 > .col-inner {\n  padding: 50px 15px 0px 15px;\n  margin: 30px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #col-66814382 > .col-inner {\n    padding: 0px 15px 0px 15px;\n    margin: 110px 0px 0px 0px;\n  }\n}\n@media (min-width:850px) {\n  #col-66814382 > .col-inner {\n    padding: 0px 00px 0px 0px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1404772772 {\n  padding-top: 100px;\n  padding-bottom: 100px;\n  margin-bottom: 10px;\n  min-height: 50%;\n}\n#section_1404772772 .section-bg-overlay {\n  background-color: rgba(5, 5, 5, 0.25);\n}\n#section_1404772772 .section-bg img {\n  object-position: 63% 36%;\n}\n#section_1404772772 .ux-shape-divider--bottom svg {\n  height: 0px;\n  --divider-width: 100%;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section apertura-home\" id=\"section_2106231428\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse\"  id=\"row-1561324732\">\n\n\t<div id=\"col-725700256\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row row-small row-full-width\"  id=\"row-1209877651\">\n\n\t<div id=\"col-2000402184\" class=\"col medium-5 small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-310860702\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-310860702 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-488982475\" class=\"text\">\n\t\t\n<h1>Between <em>macchia<\/em> and impression.<br \/>\nZandomeneghi, Degas and the birth of the modern gaze.<\/h1>\n\t\t\n<style>\n#text-488982475 {\n  font-size: 1.75rem;\n  line-height: 1.25;\n  color: rgb(206, 106, 79);\n}\n#text-488982475 > * {\n  color: rgb(206, 106, 79);\n}\n@media (min-width:850px) {\n  #text-488982475 {\n    line-height: 0.75;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-2000402184 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 0 0px 0px 0px;\n}\n@media (min-width:550px) {\n  #col-2000402184 > .col-inner {\n    padding: 0 0px 0px 0px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-725700256 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: -20px 0px 0px 0px;\n}\n@media (min-width:550px) {\n  #col-725700256 > .col-inner {\n    padding: 0 0px 0px 0px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_2106231428 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n}\n@media (min-width:550px) {\n  #section_2106231428 {\n    padding-top: 20px;\n    padding-bottom: 20px;\n  }\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_485705209\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-1333298581\">\n\n\t<div id=\"col-1148182120\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-1559105062\" class=\"gap-element clearfix hide-for-medium\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1559105062 {\n  padding-top: 10px;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t\t<div class=\"icon-box featured-box icon-box-left text-left is-small\"  style=\"margin:0px 0 0px 0px;\">\n\t\t\t\t\t<div class=\"icon-box-img\" style=\"width: 20px\">\n\t\t\t\t<div class=\"icon\">\n\t\t\t\t\t<div class=\"icon-inner\" >\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"240\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/orario.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/orario.jpg 240w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/orario-150x150.jpg 150w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/orario-100x100.jpg 100w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<div class=\"icon-box-text last-reset\">\n\t\t\t\t\t\t\t\t\t\n<h3>When<\/h3>\n<h4>27 February 2026<br \/>\n28 June 2026<\/h4>\n\t\t<\/div>\n\t<\/div>\n\t\n\t\n\n\t\t<div class=\"icon-box featured-box icon-box-left text-left is-small\"  style=\"margin:40px 0px 0px 0px;\">\n\t\t\t\t\t<div class=\"icon-box-img\" style=\"width: 20px\">\n\t\t\t\t<div class=\"icon\">\n\t\t\t\t\t<div class=\"icon-inner\" >\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"240\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/telefono.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/telefono.jpg 240w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/telefono-150x150.jpg 150w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2022\/07\/telefono-100x100.jpg 100w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/>\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<div class=\"icon-box-text last-reset\">\n\t\t\t\t\t\t\t\t\t\n<h3>Contact center<\/h3>\n<h4><a href=\"tel:0425460093\" target=\"_blank\" rel=\"noopener\">0425 460093<\/a><br \/>\n<a href=\"mailto:gestione2@studioesseci.net\" target=\"_blank\" rel=\"noopener\">info@palazzoroverella.com<\/a><\/h4>\n\t\t<\/div>\n\t<\/div>\n\t\n\t\n<div class=\"is-divider divider clearfix\" style=\"margin-top:50px;margin-bottom:50px;height:0px;\"><\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1148182120 > .col-inner {\n  margin: 0px 0px -20px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1839358144\" class=\"col descrizione-mostra medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-124447277\" class=\"text\">\n\t\t\n<h2>Two paths, one decisive meeting<\/h2>\n\t\t\n<style>\n#text-124447277 {\n  color: rgb(206, 106, 79);\n}\n#text-124447277 > * {\n  color: rgb(206, 106, 79);\n}\n<\/style>\n\t<\/div>\n\t\n<p>The story of <strong>Federico Zandomeneghi<\/strong> and <strong>Edgar Degas<\/strong> stems from similar educational experiences and culminates in a <strong>human and artistic encounter<\/strong> that would profoundly mark the paths of both men. While <strong>Florence<\/strong> represented a decisive step for both of them\u2014<strong>Degas<\/strong> studied the <strong>Renaissance tradition<\/strong> there and frequented the <strong>Caff\u00e8 Michelangiolo<\/strong>, while <strong>Zandomeneghi<\/strong> grew up alongside the <strong>Macchiaioli<\/strong>, learning a style of painting based on direct observation and natural light\u2014it was in <strong>Paris<\/strong> that their paths truly crossed.<br \/>Here, an <strong>intense friendship<\/strong> and <strong>continuous dialogue<\/strong> took shape: Degas became a point of reference and mentor for the Venetian artist, while Zandomeneghi reworked Impressionist stimuli according to his personal sensibility, nourished by Italian chromatic memory.<strong> The exhibition reconstructs this exchange of affinities, references, and mutual influences<\/strong>, highlighting how two different paths converge in a common focus on contemporary life and contribute, together, to <strong>renewing the language of European art.<\/strong><\/p>\n\n  \n    <div class=\"row hidden large-columns-1 medium-columns- small-columns- row-collapse slider row-slider slider-nav-circle slider-nav-light\"  data-flickity-options='{&quot;imagesLoaded&quot;: true, &quot;groupCells&quot;: &quot;100%&quot;, &quot;dragThreshold&quot; : 5, &quot;cellAlign&quot;: &quot;left&quot;,&quot;wrapAround&quot;: true,&quot;prevNextButtons&quot;: true,&quot;percentPosition&quot;: true,&quot;pageDots&quot;: true, &quot;rightToLeft&quot;: false, &quot;autoPlay&quot; : 5000}' >\n\n  <div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3587_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3587_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3587_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3587_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3587_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3587_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3587_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3934_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3934_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3934_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3934_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3934_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3934_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3934_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3601_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3601_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3601_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3601_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3601_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3601_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3601_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3626_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3626_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3626_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3626_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3626_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3626_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3626_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3634_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3634_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3634_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3634_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3634_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3634_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3634_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3652_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3652_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3652_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3652_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3652_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3652_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3652_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3808_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3808_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3808_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3808_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3808_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3808_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3808_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3665_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3665_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3665_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3665_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3665_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3665_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3665_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3693_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3693_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3693_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3693_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3693_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3693_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3693_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3689_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3689_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3689_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3689_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3689_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3689_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3689_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3803_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3803_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3803_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3803_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3803_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3803_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3803_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1706\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3595_\u00a9av-scaled.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"9402,9426,9406,9408,9410,9412,9423,9415,9419,9417,9421,9404\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3595_\u00a9av-scaled.jpg 2560w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3595_\u00a9av-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3595_\u00a9av-1024x683.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3595_\u00a9av-768x512.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3595_\u00a9av-1536x1024.jpg 1536w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/03\/24022023-3595_\u00a9av-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p>credits : Andrea Verzola<\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><\/div>\n\n  \n    <div class=\"row hidden large-columns-1 medium-columns- small-columns- row-collapse slider row-slider slider-nav-circle slider-nav-light\"  data-flickity-options='{&quot;imagesLoaded&quot;: true, &quot;groupCells&quot;: &quot;100%&quot;, &quot;dragThreshold&quot; : 5, &quot;cellAlign&quot;: &quot;left&quot;,&quot;wrapAround&quot;: true,&quot;prevNextButtons&quot;: true,&quot;percentPosition&quot;: true,&quot;pageDots&quot;: true, &quot;rightToLeft&quot;: false, &quot;autoPlay&quot; : 5000}' >\n\n  <div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"1363\" height=\"908\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/1.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/1.jpg 1363w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/1-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/1-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/1-768x512.jpg 768w\" sizes=\"auto, (max-width: 1363px) 100vw, 1363px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1363\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/2.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/2.jpg 2048w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/2-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/2-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/2-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/2-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n          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https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/3-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1363\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/5.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/5.jpg 2048w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/5-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/5-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/5-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/5-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1363\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/6.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/6.jpg 2048w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/6-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/6-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/6-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/6-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1363\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/8.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/8.jpg 2048w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/8-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/8-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/8-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/8-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1363\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/9.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/9.jpg 2048w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/9-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/9-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/9-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/9-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              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https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/10-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/10-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/10-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/10-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1363\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/11.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/11.jpg 2048w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/11-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/11-1024x682.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/11-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/11-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><div class=\"gallery-col col\" >\n          <div class=\"col-inner\">\n                        <div class=\"box has-hover gallery-box box-none\">\n              <div class=\"box-image\" >\n                <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1362\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/12.jpg\" class=\"attachment-original size-original\" alt=\"\" ids=\"6015,5997,5998,6000,6001,6003,6004,6005,6006,6007\" style=\"none\" lightbox=\"false\" type=\"slider\" col_spacing=\"collapse\" columns=\"1\" slider_nav_style=\"circle\" slider_nav_color=\"light\" slider_bullets=\"true\" auto_slide=\"5000\" image_size=\"original\" visibility=\"hidden\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/12.jpg 2048w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/12-300x200.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/12-1024x681.jpg 1024w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/12-768x511.jpg 768w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2023\/01\/12-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/>                                                              <\/div>\n              <div class=\"box-text text-left\" >\n                 <p><\/p>\n              <\/div>\n            <\/div>\n                      <\/div>\n         <\/div><\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1839358144 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1333298581 > .col > .col-inner {\n  padding: 0px 0px 10px 0px;\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_485705209 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section dark has-parallax\" id=\"section_508040891\">\n\t\t<div class=\"section-bg fill\" data-parallax-container=\".section\" data-parallax-background data-parallax=\"-1\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"725\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/divano_citazione-1.jpg\" class=\"bg attachment-original size-original\" alt=\"\" \/>\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\t<div class=\"ux-shape-divider ux-shape-divider--top ux-shape-divider--style-tilt\">\n\t\t<svg viewBox=\"0 0 1000 100\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" preserveAspectRatio=\"none\">\n\t<path class=\"ux-shape-fill\" d=\"M1000 100V0L-40 100H1000Z\"\/>\n<\/svg>\n\t<\/div>\n\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\t<div id=\"gap-244456203\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-244456203 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1269778842\" class=\"text\">\n\t\t\n<blockquote>\n<h2 style=\"color: #fff!important;\"><em>If Degas, the enemy of grace, is the merciless chronicler of dance studios and dressing rooms,<br \/>\nZandomeneghi, who observes reality with indulgence and faithfulness, is the calm narrator of the bourgeois world.<br \/>\n<\/em><\/h2>\n<\/blockquote>\n<h2>Enrico Piceni, <em>Zandomeneghi<\/em>, 1932<\/h2>\n\t\t\n<style>\n#text-1269778842 {\n  line-height: 0.75;\n  text-align: center;\n  color: rgb(255, 255, 255);\n}\n#text-1269778842 > * {\n  color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-2807926612\" class=\"text hidden\">\n\t\t\n<h1 style=\"color: #fff!important;\">Alla scoperta di un altro Renoir<\/h1>\n\t\t\n<style>\n#text-2807926612 {\n  text-align: center;\n  color: rgb(255, 255, 255);\n}\n#text-2807926612 > * {\n  color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\n\t\t\n<style>\n#section_508040891 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  min-height: 250px;\n}\n#section_508040891 .section-bg-overlay {\n  background-color: rgba(0, 0, 0, 0.233);\n}\n#section_508040891 .section-bg img {\n  object-position: 47% 49%;\n}\n#section_508040891 .ux-shape-divider--top svg {\n  height: 35px;\n  --divider-top-width: 100%;\n}\n@media (min-width:550px) {\n  #section_508040891 {\n    min-height: 325px;\n  }\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_1355135296\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\t<div class=\"is-border is-dotted\"\n\t\tstyle=\"border-color:rgb(194, 194, 194);border-width:0px 0px 0px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row descrizione-mostra\"  id=\"row-1523192\">\n\n\t<div id=\"col-30613394\" class=\"col medium-11 small-12 large-11\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1417140439\" class=\"text\">\n\t\t\n<h2 style=\"font-size: 210%!IMPORTANT;\">Modern life as painting<\/h2>\n\t\t\n<style>\n#text-1417140439 {\n  color: #ce6a4f;\n}\n#text-1417140439 > * {\n  color: #ce6a4f;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-2162300370\" class=\"text\">\n\t\t\n<p>In the works of <strong>Edgar Degas<\/strong> and <strong>Federico Zandomeneghi<\/strong>, the <strong>narrative of the present<\/strong> replaces any celebratory emphasis. No heroes or great events, but <strong>everyday gestures, familiar environments, fragments of time<\/strong> captured in their naturalness: a dance rehearsal, a woman in a caf\u00e9, a silent room crossed by light, the intimacy of a domestic interior. This is where painting finds its most authentic terrain, transforming common experience into vision. Although their approaches differ\u2014Degas&#8217;s gaze is more analytical and constructed, while Zandomeneghi&#8217;s colors are warmer and more enveloping\u2014both share the <strong>same attention to contemporary reality<\/strong> and the human dimension of things. The exhibition accompanies the visitor into this universe of discreet presences, luminous balances, and lived spaces, recreating the atmosphere of an era in which <strong>art abandoned the rhetoric of history<\/strong> to focus on everyday life, closely observing <strong>bourgeois and urban life<\/strong>, capturing the truth of its gestures and slow pace, and <strong>choosing to simply turn it into painting<\/strong>.<\/p>\n\t\t\n<style>\n#text-2162300370 {\n  color: rgb(0,0,0);\n}\n#text-2162300370 > * {\n  color: rgb(0,0,0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-30613394 > .col-inner {\n  padding: 10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1355135296 {\n  padding-top: 40px;\n  padding-bottom: 40px;\n  background-color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section hide-for-small\" id=\"section_2055978213\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"slider-wrapper relative pagina-mostra\" id=\"slider-1164948537\" >\n    <div class=\"slider slider-nav-reveal slider-nav-large slider-nav-dark slider-nav-outside slider-style-normal slider-show-nav\"\n        data-flickity-options='{\n            \"cellAlign\": \"center\",\n            \"imagesLoaded\": true,\n            \"lazyLoad\": 1,\n            \"freeScroll\": true,\n            \"wrapAround\": true,\n            \"autoPlay\": 6000,\n            \"pauseAutoPlayOnHover\" : true,\n            \"prevNextButtons\": true,\n            \"contain\" : true,\n            \"adaptiveHeight\" : true,\n            \"dragThreshold\" : 10,\n            \"percentPosition\": true,\n            \"pageDots\": false,\n            \"rightToLeft\": false,\n            \"draggable\": true,\n            \"selectedAttraction\": 0.1,\n            \"parallax\" : 0,\n            \"friction\": 0.6        }'\n        >\n        \n\n\t<section class=\"section\" id=\"section_1298391833\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse align-center\"  id=\"row-1229385983\">\n\n\t<div id=\"col-215844797\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row\"  id=\"row-73717800\">\n\n\t<div id=\"col-575499621\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1413384673\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"942\" height=\"830\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1.jpg 942w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1-300x264.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1-768x677.jpg 768w\" sizes=\"auto, (max-width: 942px) 100vw, 942px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_1413384673 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1796118705\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Edgar Degas, <em>Study for The Bellelli Family<\/em>, 1858, Ordrupgaard, Copenhagen.\u00a0 Photo: Anders Sune Berg<\/p>\n\t\t\n<style>\n#text-1796118705 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-309515611\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-3849457520\" class=\"text slide-mostra\">\n\t\t\n<h2>Degas and Italy<\/h2>\n\t\t\n<style>\n#text-3849457520 {\n  color: rgb(85, 66, 93);\n}\n#text-3849457520 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1119893547\" class=\"text\">\n\t\t\n<p><strong>Degas<\/strong>&#8216;s educational journey began on July 17, 1856, in <strong>Naples<\/strong>, where he was welcomed by the family of his paternal grandfather, Hilaire De Gas. A pupil of Louis Lamothe, Edgar was educated in the precepts of the great <strong>Ingres<\/strong> and began copying <strong>Italian Renaissance<\/strong> works at the Louvre. The purpose of the trip was to continue his study of <strong>ancient Italian art.<\/strong> In July 1857, he moved to Rome, where he joined a group of fellow countrymen studying at the <strong>French Academy<\/strong>&#8230;<\/p>\n\t\t\n<style>\n#text-1119893547 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p><a href=\"#primo\">Read more<\/a><\/p>\n<div id=\"primo\" class=\"lightbox-by-id lightbox-content lightbox-white mfp-hide\" style=\"max-width: 800px; padding: 20px;\">\n<h4><b>Degas and Italy<\/b><\/h4>\n<p><strong>Degas<\/strong>&#8216;s educational journey began on July 17, 1856, in <strong>Naples<\/strong>, where he was welcomed by the family of his paternal grandfather, Hilaire De Gas. A pupil of Louis Lamothe, Edgar was educated in the precepts of the great <strong>Ingres<\/strong> and began copying <strong>Italian Renaissance<\/strong> works at the Louvre. The purpose of the trip was to continue his study of <strong>ancient Italian art.<\/strong> In July 1857, he moved to Rome, where he joined a group of fellow countrymen studying at the <strong>French Academy<\/strong>.<br \/>\nIf <em>Portrait of Hilaire De Gas<\/em> painted in Naples (1857) can be considered an early example of this intimate inclination, we can then follow its evolution up to <em>Portrait of the Bellelli Family<\/em>, and imagine possible affinities or sympathies towards aspects of portraiture surrounding Michelangelo, from the Ingres-like tone of Puccinelli&#8217;s <em>Portrait of the Noblewoman Morrocchi<\/em> to the refined psychological intimacy of the characters depicted in Antonio Ciseri&#8217;s large outdoor portrait of the <em>Bianchini family<\/em>. The synthetic, soft brushwork, made up of large areas of color and subtle chiaroscuro contrasts in Degas&#8217; pastel <em>Bellelli Family<\/em>, exhibited here <b>for the first time in Italy<\/b>, appears very close to the sensibility of the nascent Macchiaioli, but the <em>en plein air<\/em> study of the effects of light and chiaroscuro, which was the aim of the Tuscans, did not interest Degas, whose goal was to achieve a <b>perfect and refined<\/b> formal language, modeled on the ancient but capable of proposing contemporary content with a modern syntax.<\/p>\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-309515611 > .col-inner {\n  padding: 0px 0px 20px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-215844797 > .col-inner {\n  padding: 0px 20px 0px 20px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1229385983 > .col > .col-inner {\n  padding: 60px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #row-1229385983 > .col > .col-inner {\n    padding: 60px 0px 30px 0px;\n  }\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1298391833 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  min-height: 600px;\n  background-color: rgb(206, 106, 79);\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_638508180\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse align-center\"  id=\"row-1736808171\">\n\n\t<div id=\"col-1699780659\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row align-center\"  id=\"row-741106841\">\n\n\t<div id=\"col-382938232\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner text-right\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1841270471\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani.jpg 821w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani-246x300.jpg 246w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani-768x935.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_1841270471 {\n  width: 60%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1370098304\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <I>The Red Jacket<\/i>, 1895, private collection<\/p>\n\t\t\n<style>\n#text-1370098304 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1039792534\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-687526152\" class=\"text slide-mostra\">\n\t\t\n<h2>Zandomeneghi, the Italian years<\/h2>\n\t\t\n<style>\n#text-687526152 {\n  color: rgb(85, 66, 93);\n}\n#text-687526152 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-4063161778\" class=\"text\">\n\t\t\n<h4>Following in his family&#8217;s footsteps, Federico <strong>Zandomeneghi<\/strong> was born in <strong>Venice<\/strong> in 1841 into a family of renowned sculptors, pupils of <strong>Antonio Canova<\/strong>. Uncomfortable with the closed Venetian environment, he betrayed his family&#8217;s vocation, <strong>preferring painting to sculpture<\/strong>. Driven by a strong patriotic passion, in 1859 Federico joined the Tuscan volunteer troops gathered in Modena to take part in the Second War of Independence, thus meeting many of his <strong>future companions<\/strong>.<\/h4>\n\t\t\n<style>\n#text-4063161778 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p><a href=\"#terzo\">Read more<\/a><\/p>\n<div id=\"terzo\" class=\"lightbox-by-id lightbox-content lightbox-white mfp-hide\" style=\"max-width: 800px; padding: 20px;\">\n<h4><b>Zandomeneghi, the Italian years<\/b><\/h4>\n<p>Following in his family&#8217;s footsteps, Federico Zandomeneghi was born in Venice in 1841 into a family of renowned sculptors, pupils of <b>Antonio Canova<\/b>. Uncomfortable with the closed Venetian environment, he betrayed his family&#8217;s vocation, <b>preferring painting to sculpture. <\/b> Driven by a strong patriotic passion, in 1859 Federico joined the Tuscan volunteer troops gathered in Modena to take part in the Second War of Independence, thus meeting many of his <b>future companions<\/b>.<\/p>\n<p>Unable to return to Venice, which remained under Austrian control, he continued his studies in Milan at the Brera Academy. At the age of twenty-one, he settled in Florence and became involved in the artistic life of the <b>Caff\u00e8 Michelangiolo<\/b>, siding with the progressive youth who, in 1862, decided to adopt the term <b>\u201cMacchiaioli\u201d<\/b>,coined in a negative sense by a journalist from the Gazzetta del Popolo.<br \/>\nZandomeneghi&#8217;s Italian years were spent in total harmony with the highly advanced research of the Macchiaioli: the Venetian emerged as a complete artist, with solid craftsmanship and <b>strong aesthetic convictions<\/b>, aligned with the <b>\u201crealism\u201d of the Tuscans<\/b>; his painting <em>Impressions of Rome<\/em>, purchased by the Italian state, was awarded a prize at the 1873 Universal Exposition in Vienna. He spent the last six months of his Italian life in Castiglioncello, as a guest of his friend <b>Diego Martelli<\/b>: Zandomeneghi developed plans to go to Paris, the center of the art world, where the already famous <b>De Nittis<\/b> was making headlines with his participation in an exhibition of avant-garde artists at the photographer <b>Nadar<\/b>&#8216;s studio.<\/p>\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1039792534 > .col-inner {\n  padding: 0px 0px 20px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1699780659 > .col-inner {\n  padding: 0px 20px 0px 20px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1736808171 > .col > .col-inner {\n  padding: 60px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #row-1736808171 > .col > .col-inner {\n    padding: 60px 0px 30px 0px;\n  }\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_638508180 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  min-height: 600px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_1857196110\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse align-center\"  id=\"row-1799421808\">\n\n\t<div id=\"col-3422926\" class=\"col medium-11 small-12 large-11\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row\"  id=\"row-1185733995\">\n\n\t<div id=\"col-24516003\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner text-right\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_2071593686\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-2.jpg 734w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-2-220x300.jpg 220w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_2071593686 {\n  width: 60%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-403377815\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Edgar Degas, <em>Dans un caf\u00e9<\/em>, 1876, Paris, Mus\u00e9e d&#8217;Orsay, Legs Isaac de Camondo, 1911<\/p>\n\t\t\n<style>\n#text-403377815 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-980881834\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-4271356336\" class=\"text slide-mostra\">\n\t\t\n<h2>Zandomeneghi in Paris: his conversion to Impressionism<\/h2>\n\t\t\n<style>\n#text-4271356336 {\n  color: rgb(85, 66, 93);\n}\n#text-4271356336 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3439704166\" class=\"text\">\n\t\t\n<h4>When he arrived in <b>Paris<\/b> in June 1874, Zandomeneghi was just under thirty-five years old and was a fully-fledged artist, with a particular skill in <b>figure painting<\/b>. But the following two years were marked by hesitation: he wrote to Signorini expressing his admiration for painters such as <b>Jules Breton<\/b> and <b>Carolus-Duran<\/b>, exponents of <b>Naturalism<\/b>&#8230;<\/h4>\n\t\t\n<style>\n#text-3439704166 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p><a href=\"#secondo\">Read more<\/a><\/p>\n<div id=\"secondo\" class=\"lightbox-by-id lightbox-content lightbox-white mfp-hide\" style=\"max-width: 800px; padding: 20px;\">\n<h4><b>Zandomeneghi in Paris: his conversion to Impressionism<\/b><\/h4>\n<p>When he arrived in <b>Paris<\/b> in June 1874, Zandomeneghi was just under thirty-five years old and was a fully-fledged artist, with a particular skill in <b>figure painting<\/b>. But the following two years were marked by hesitation: he wrote to Signorini expressing his admiration for painters such as <b>Jules Breton<\/b> and <b>Carolus-Duran<\/b>, exponents of <b>Naturalism<\/b>, towards whom his former companions also seemed to be gravitating; but his sensibility led him towards less conventional, freer forms of painting. Soon the Seine, the woods, and the surroundings of Paris appeared to him in a new light, that emanating from the works exhibited by Pissarro, Guillaumin, Maureau, Monet, Renoir, and Sisley at the Impressionist group exhibitions of 1876 and 1877.<\/p>\n<p>In 1877, the Venetian artist&#8217;s name appears in <b>Degas&#8217;s correspondence<\/b>, revealing that the two artists had met and were spending time together.<br \/>\nA true manifesto of the Venetian artist&#8217;s conversion to Impressionism, the large painting <em>Le Moulin de la Galette<\/em> (1878) elaborates with originality certain ideas\u2014the photographic cut of the composition, the almost caricatural expressiveness of the figures, the broken and frozen gestures\u2014that were inspired by Degas&#8217;s paintings.<br \/>\nThe two artists shared the idea of an <b>art based on the observation of modern life<\/b>, individual character and social environments, as well as the value of drawing as a cognitive tool. \u201cThe pencil will be dipped in the essence of life,\u201d wrote Edmond Duranty, the theorist of Nouvelle peinture. In 1879, Zandomeneghi was invited by Degas to participate in the fourth <b>collective exhibition of the Impressionist group<\/b>.<\/p>\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-980881834 > .col-inner {\n  padding: 0px 0px 20px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-3422926 > .col-inner {\n  padding: 0px 20px 0px 20px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1799421808 > .col > .col-inner {\n  padding: 60px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #row-1799421808 > .col > .col-inner {\n    padding: 60px 0px 30px 0px;\n  }\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1857196110 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  min-height: 600px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_1533166814\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse align-center\"  id=\"row-1233636242\">\n\n\t<div id=\"col-360241706\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row align-center\"  id=\"row-1690512034\">\n\n\t<div id=\"col-1374465811\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner text-right\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_654955341\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"761\" height=\"1200\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti.jpg 761w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti-190x300.jpg 190w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti-649x1024.jpg 649w\" sizes=\"auto, (max-width: 761px) 100vw, 761px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_654955341 {\n  width: 58%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3409871925\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <i>Visit in the dressing room<\/i>, 1886, private collection<\/p>\n\t\t\n<style>\n#text-3409871925 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-722705250\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-369796146\" class=\"text slide-mostra\">\n\t\t\n<h2>Zandomeneghi at the Impressionist exhibitions<\/h2>\n\t\t\n<style>\n#text-369796146 {\n  color: rgb(83, 66, 93);\n}\n#text-369796146 > * {\n  color: rgb(83, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-2639400247\" class=\"text\">\n\t\t\n<h4>During the 1980s, Zandomeneghi&#8217;s work was marked by splendid paintings, clearly inspired by his total, highly personal <b>adherence to the French movement<\/b>: <em>M\u00e8re et fille, Place d\u2019Anvers, Il dottore, Le madri, Al caff\u00e8 Nouvelle Ath\u00e8nes, Visit in the dressing room<\/em> are some of the works that represent the artist at subsequent <b>exhibitions<\/b> of the French group&#8230;<\/h4>\n\t\t\n<style>\n#text-2639400247 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p><a href=\"#quarto\">Read more<\/a><\/p>\n<div id=\"quarto\" class=\"lightbox-by-id lightbox-content lightbox-white mfp-hide\" style=\"max-width: 800px; padding: 20px;\">\n<h4><b>Zandomeneghi at the Impressionist exhibitions<\/b><\/h4>\n<p>During the 1980s, Zandomeneghi&#8217;s work was marked by splendid paintings, clearly inspired by his total, highly personal <b>adherence to the French movement<\/b>: <em>M\u00e8re et fille, Place d\u2019Anvers, Il dottore, Le madri, Al caff\u00e8 Nouvelle Ath\u00e8nes, Visit in the dressing room<\/em> are some of the works that represent the artist at subsequent <b>exhibitions<\/b> of the French group. Aligned within the Impressionist movement with the \u201crealist\u201d or <b>\u2018dessinateurs\u2019<\/b> current led by Degas, Zandomeneghi preferred themes drawn from contemporary urban and domestic reality and gave life to a sort of <b>\u201cmodern humanism\u201d<\/b>, equidistant from the pure values of the major Impressionists and the narrative vein of the Naturalists.<\/p>\n<p><em>In Place du Tertre<\/em> Federico depicts the picturesque square located in the Montmartre district, not far from the Sacr\u00e9-C\u0153ur Basilica and therefore from his own home, a place frequented by artists, musicians, and poets: he captures a <b>fleeting moment<\/b>, a snapshot of everyday life with a diagonal cut that places us in the midst of a typical day in the bustling city. He returns to his domestic intimacy with <em>Mother and Daughter<\/em>, which features his mother Teresa and sister Tonina caught in the daily ritual of dressing. The atmosphere of modern Parisian life is captured with particular effectiveness in <em>Al Caf\u00e9<\/em> and <em>Al caff\u00e8 Nouvelle Ath\u00e8nes<\/em> , works that are presented here <b>for the first time together<\/b> with Degas&#8217;s famous <em>Dans un caf\u00e9<\/em>, in which the French artist portrays an absinthe drinker next to a corpulent male figure whom we recognize as the artist Marcellin Desboutin.<\/p>\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-722705250 > .col-inner {\n  padding: 0px 0px 20px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-360241706 > .col-inner {\n  padding: 0px 20px 0px 20px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1233636242 > .col > .col-inner {\n  padding: 60px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #row-1233636242 > .col > .col-inner {\n    padding: 60px 0px 30px 0px;\n  }\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1533166814 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  min-height: 600px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_552616324\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse align-center\"  id=\"row-1417936413\">\n\n\t<div id=\"col-679241522\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row align-center\"  id=\"row-65402714\">\n\n\t<div id=\"col-180104468\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner text-right\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1301373349\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo.jpg 800w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo-240x300.jpg 240w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo-768x960.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_1301373349 {\n  width: 70%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3627328436\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <i>Donna che si asciuga<\/i>, Charleston, 1895 circa, private collection<\/p>\n\t\t\n<style>\n#text-3627328436 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1222851047\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-820275967\" class=\"text slide-mostra\">\n\t\t\n<h2>Zandomeneghi, Degas and the Poetics of the Nude<\/h2>\n\t\t\n<style>\n#text-820275967 {\n  color: rgb(85, 66, 93);\n}\n#text-820275967 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-43383794\" class=\"text\">\n\t\t\n<h4>1886 was the year of the <b>Impressionists&#8217; last collective exhibition<\/b>, whose cohesion was beginning to wane. Both Zandomeneghi and Degas exhibited oil and pastel paintings, mostly depicting <b>female nudes<\/b> and this coincidence is further proof of their similar artistic pursuits. Zand\u00f2&#8217;s <em>La toilette, La lecture, Le tub, Nudo che si asciuga<\/em> form a compact whole that highlights his exploration of the female nude, captured in poses that are part of the most ordinary <b>everyday life<\/b>&#8230;<\/h4>\n\t\t\n<style>\n#text-43383794 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p><a href=\"#quinto\">Read more<\/a><\/p>\n<div id=\"quinto\" class=\"lightbox-by-id lightbox-content lightbox-white mfp-hide\" style=\"max-width: 800px; padding: 20px;\">\n<h4><b>Zandomeneghi, Degas and the Poetics of the Nude<\/b><\/h4>\n<p>1886 was the year of the <b>Impressionists&#8217; last collective exhibition<\/b>, whose cohesion was beginning to wane. Both Zandomeneghi and Degas exhibited oil and pastel paintings, mostly depicting <b>female nudes<\/b> and this coincidence is further proof of their similar artistic pursuits. Zand\u00f2&#8217;s <em>La toilette, La lecture, Le tub, Nudo che si asciuga<\/em> form a compact whole that highlights his exploration of the female nude, captured in poses that are part of the most ordinary <b>everyday life<\/b>, as in the similar subjects treated at the same time by Degas. But the relentless and almost cruel vision of his friend, who distorts the figures and their gestures, is contrasted by Zandomeneghi&#8217;s affectionate naturalism, which accentuates an atmosphere of <b>cordial intimacy and elegantly freezes the poses<\/b>.<\/p>\n<p><em>Le tub<\/em> places the metal tub used for bathing by the working classes at the center of the scene, which appears as such in numerous paintings by Impressionist artists: a thick black outline drawn with a brush runs along the contours of the figure, accentuating its two-dimensionality and welcoming a lean and essential painting style that even recalls <b>Gauguin&#8217;s synthetism<\/b>.<br \/>\nIn Zandomeneghi&#8217;s <em>Nudo che si asciuga<\/em>, we find an <b>affinity<\/b> with the vibrant and indomitable line of <b>Degas<\/b> in works such as <em>Woman Coming Out of the Bath<\/em> and <em>Donna che si asciuga i capelli<\/em>: in the latter charcoal drawing, the compositional structure is organized around the oblique bust and features lines sloping in different directions that suggest the action of the woman seen from behind, as if the observer were looking through a keyhole.<\/p>\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1222851047 > .col-inner {\n  padding: 0px 0px 20px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-679241522 > .col-inner {\n  padding: 0px 20px 0px 20px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1417936413 > .col > .col-inner {\n  padding: 60px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #row-1417936413 > .col > .col-inner {\n    padding: 60px 0px 30px 0px;\n  }\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_552616324 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  min-height: 600px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_1292451034\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse align-center\"  id=\"row-2064407331\">\n\n\t<div id=\"col-1057565550\" class=\"col medium-10 small-12 large-10\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row align-center\"  id=\"row-276754632\">\n\n\t<div id=\"col-1545586291\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner text-right\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_2039343794\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"810\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice.jpg 810w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice-243x300.jpg 243w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice-768x948.jpg 768w\" sizes=\"auto, (max-width: 810px) 100vw, 810px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_2039343794 {\n  width: 70%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-3418533651\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">\u00a0Edgar Degas, Classe de ballet, 1880 circa, private collection<\/p>\n\t\t\n<style>\n#text-3418533651 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-2039285526\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1211852906\" class=\"text slide-mostra\">\n\t\t\n<h2>The theme of the dancer in Zandomeneghi&#8217;s paintings<\/h2>\n\t\t\n<style>\n#text-1211852906 {\n  color: rgb(85, 66, 93);\n}\n#text-1211852906 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-472890996\" class=\"text\">\n\t\t\n<h4><em>Visita in camerino<\/em> di Zandomeneghi represents a rare foray into the <b>world of entertainment<\/b> and <b>themes favored by his friend Degas<\/b>, even if his approach to them is completely different. The French artist devoted himself to studying the movements of <b>individual figures<\/b>, captured with increasingly synthetic strokes and an increasingly casual perspective, preferably from above, as in the beautiful <em>Danzatrice che si sistema la scarpetta<\/em> (1885), in which the <b>pastel technique<\/b> allows for an extraordinary, almost caressing rendering of the <b>effects of light<\/b> on the white tulle&#8230;<\/h4>\n\t\t\n<style>\n#text-472890996 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p><a href=\"#sesto\">Read more<\/a><\/p>\n<div id=\"sesto\" class=\"lightbox-by-id lightbox-content lightbox-white mfp-hide\" style=\"max-width: 800px; padding: 20px;\">\n<h4><b>The theme of the dancer in Zandomeneghi&#8217;s paintings<\/b><\/h4>\n<p><em>Visita in camerino<\/em> di Zandomeneghi represents a rare foray into the <b>world of entertainment<\/b> and <b>themes favored by his friend Degas<\/b>, even if his approach to them is completely different. The French artist devoted himself to studying the movements of <b>individual figures<\/b>, captured with increasingly synthetic strokes and an increasingly casual perspective, preferably from above, as in the beautiful <em>Dancer Adjusting Her Slipper<\/em> (1885), in which the <b>pastel technique<\/b> allows for an extraordinary, almost caressing rendering of the <b>effects of light<\/b> on the white tulle, while the touch of blue, although referring to the concrete and usual presence of an ornamental ribbon, is in reality the trace, the <b>trail of a movement<\/b> captured by the artist.<\/p>\n<p>After all, Degas is primarily interested in the movement of the dancers, their muscular tension, and the fatigue that often makes those bodies as <b>ungainly as they are real<\/b>. Despite the similarity of the theme, Zandomeneghi never strays from a <b>formal composure<\/b>, and in <em>Visita in camerino<\/em> (Visit to the Dressing Room), with a painting technique using small touches that resolves the the chromatic mixture into tiny bright and shiny fragments, he shows us in the foreground the dancer sitting at the dressing table while conversing and smiling with an admirer whose silhouette is mercilessly trimmed to leave room for the girl who, in her tulle dress, appears like a large white flower streaked with pink tones, due to the cold reflections provided by the artificial light.<\/p>\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-2039285526 > .col-inner {\n  padding: 0px 0px 20px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1057565550 > .col-inner {\n  padding: 0px 20px 0px 20px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-2064407331 > .col > .col-inner {\n  padding: 60px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #row-2064407331 > .col > .col-inner {\n    padding: 60px 0px 30px 0px;\n  }\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1292451034 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  min-height: 600px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_1353920691\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-collapse align-center\"  id=\"row-1747933318\">\n\n\t<div id=\"col-1076072067\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row align-center\"  id=\"row-2076864993\">\n\n\t<div id=\"col-262912140\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner text-right\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1022513300\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"831\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2.jpg 1000w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2-300x249.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2-768x638.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_1022513300 {\n  width: 87%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-732971487\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <i>Bambina dai capelli rossi<\/i>, 1895 circa, private collection, Milan<\/p>\n\t\t\n<style>\n#text-732971487 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1720161180\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2961193079\" class=\"text slide-mostra\">\n\t\t\n<h2>A new stylistic feature<\/h2>\n\t\t\n<style>\n#text-2961193079 {\n  color: rgb(85, 66, 93);\n}\n#text-2961193079 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-173245079\" class=\"text\">\n\t\t\n<h4>Zandomeneghi was always close to Degas, whether because of their undeniable <b>similar cultural tastes<\/b>, their <b>genuine friendship<\/b>, or the undoubted attraction that the great French master exerted on the Venetian, as indeed on all his contemporary artists. Degas, who also counts him among his regulars along with the sculptor <strong>Paul-Albert Bartholom\u00e9<\/strong>, does not spare him his sarcasm, and when inviting him to pose for a sculptural portrait, he rebukes him with \u201cZandomeneghi, vous qui n&#8217;avez rien \u00e0 faire&#8230;\u201d (\u201cZandomeneghi, you who have nothing to do&#8230;\u201d), hurting his pride&#8230;<\/h4>\n\t\t\n<style>\n#text-173245079 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p><a href=\"#settimo\">Read more<\/a><\/p>\n<div id=\"settimo\" class=\"lightbox-by-id lightbox-content lightbox-white mfp-hide\" style=\"max-width: 800px; padding: 20px;\">\n<h4><b>A new stylistic feature<\/b><\/h4>\n<p>Zandomeneghi was always close to Degas, whether because of their undeniable <b>similar cultural tastes<\/b>, their <b>genuine friendship<\/b>, or the undoubted attraction that the great French master exerted on the Venetian, as indeed on all his contemporary artists. Degas, who also counts him among his regulars along with the sculptor Paul-Albert Bartholom\u00e9, does not spare him his sarcasm, and when inviting him to pose for a sculptural portrait, he rebukes him with \u201cZandomeneghi, vous qui n&#8217;avez rien \u00e0 faire&#8230;\u201d (\u201cZandomeneghi, you who have nothing to do&#8230;\u201d), hurting his pride. Underlying this was a <b>malicious retaliation<\/b> against the Italian who had come to rival Degas, as well as Renoir, for the favors of the great art dealer Paul Durand-Ruel. From 1894 onwards, Zandomeneghi was linked to the famous auction house by an <b>exclusive contract<\/b>. He therefore developed a more peaceful view of the themes and subjects dear to Impressionism, devoting himself above all to research into color, which led him to further enhance the <b>Venetian palette of his origins<\/b>.<\/p>\n<p>Zand\u00f2 does not paint goddesses or divas, but rather young women from the Parisian middle class, who keep up with fashion, leaf through magazines, wear trendy clothes, and often meet for tea in the comfortable interiors of their apartments. The painter measures himself against the <b>cynicism of Degas<\/b> and the <b>sweetness of Renoir<\/b> to find his own stylistic signature, namely solid forms infused with color, soft contours filled with velvety surfaces and strong colors, rendered mainly in pastel. He thus creates <b>a repertoire of great refinement and elegance<\/b>, the well-known and beloved signature of his mature work.<\/p>\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1720161180 > .col-inner {\n  padding: 0px 0px 20px 0px;\n  margin: -10px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1076072067 > .col-inner {\n  padding: 0px 20px 0px 20px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1747933318 > .col > .col-inner {\n  padding: 60px 0px 30px 0px;\n}\n@media (min-width:550px) {\n  #row-1747933318 > .col > .col-inner {\n    padding: 60px 0px 30px 0px;\n  }\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1353920691 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  min-height: 600px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n     <\/div>\n\n     <div class=\"loading-spin dark large centered\"><\/div>\n\n\t<\/div>\n\n\n\t\t<\/div>\n\n\t\t\n<style>\n#section_2055978213 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  min-height: 1000px;\n  background-color: rgb(206, 106, 79);\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section show-for-small\" id=\"section_786785922\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-1614925126\">\n\n\t<div id=\"col-1613493868\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-242138957\" class=\"text slide-mostra\">\n\t\t\n<h2>Degas and Italy<\/h2>\n\t\t\n<style>\n#text-242138957 {\n  color: rgb(85, 66, 93);\n}\n#text-242138957 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_356696284\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"942\" height=\"830\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1-2.jpg 942w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1-2-300x264.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/009.-Edgar-degas-e-italia-1-2-768x677.jpg 768w\" sizes=\"auto, (max-width: 942px) 100vw, 942px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_356696284 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1292864864\">\n\n\t<div id=\"col-1505483050\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-788461371\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Edgar Degas, <em>Study for The Bellelli Family<\/em>, 1858, Ordrupgaard, Copenhagen.\u00a0 Photo: Anders Sune Berg<\/p>\n\t\t\n<style>\n#text-788461371 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1924026684\" class=\"text\">\n\t\t\n<p><strong>Degas<\/strong>&#8216;s educational journey began on July 17, 1856, in <strong>Naples<\/strong>, where he was welcomed by the family of his paternal grandfather, Hilaire De Gas. A pupil of Louis Lamothe, Edgar was educated in the precepts of the great <strong>Ingres<\/strong> and began copying <strong>Italian Renaissance<\/strong> works at the Louvre. The purpose of the trip was to continue his study of <strong>ancient Italian art.<\/strong> In July 1857, he moved to Rome, where he joined a group of fellow countrymen studying at the <strong>French Academy<\/strong>&#8230;<\/p>\n\t\t\n<style>\n#text-1924026684 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_786785922 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(206, 106, 79);\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section show-for-small\" id=\"section_688620269\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-1226548982\">\n\n\t<div id=\"col-1464103554\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-3228268621\" class=\"text slide-mostra\">\n\t\t\n<h2>Zandomeneghi, the Italian years<\/h2>\n\t\t\n<style>\n#text-3228268621 {\n  color: #55425d;\n}\n#text-3228268621 > * {\n  color: #55425d;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1464103554 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_526564882\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"821\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani-2.jpg 821w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani-2-246x300.jpg 246w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/zando-italiani-2-768x935.jpg 768w\" sizes=\"auto, (max-width: 821px) 100vw, 821px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_526564882 {\n  width: 100%;\n}\n@media (min-width:550px) {\n  #image_526564882 {\n    width: 100%;\n  }\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-688521410\">\n\n\t<div id=\"col-1667966933\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1778064298\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <I>The Red Jacket<\/i>, 1895, private collection<\/p>\n\t\t\n<style>\n#text-1778064298 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1552025161\" class=\"text\">\n\t\t\n<p><strong>Degas<\/strong>&#8216;s educational journey began on July 17, 1856, in <strong>Naples<\/strong>, where he was welcomed by the family of his paternal grandfather, Hilaire De Gas. A pupil of Louis Lamothe, Edgar was educated in the precepts of the great <strong>Ingres<\/strong> and began copying <strong>Italian Renaissance<\/strong> works at the Louvre. The purpose of the trip was to continue his study of <strong>ancient Italian art.<\/strong> In July 1857, he moved to Rome, where he joined a group of fellow countrymen studying at the <strong>French Academy<\/strong>.<br \/>\nIf <em>Portrait of Hilaire De Gas<\/em> painted in Naples (1857) can be considered an early example of this intimate inclination, we can then follow its evolution up to <em>Portrait of the Bellelli Family<\/em>, and imagine possible affinities or sympathies towards aspects of portraiture surrounding Michelangelo, from the Ingres-like tone of Puccinelli&#8217;s <em>Portrait of the Noblewoman Morrocchi<\/em> to the refined psychological intimacy of the characters depicted in Antonio Ciseri&#8217;s large outdoor portrait of the <em>Bianchini family<\/em>. The synthetic, soft brushwork, made up of large areas of color and subtle chiaroscuro contrasts in Degas&#8217; pastel <em>Bellelli Family<\/em>, exhibited here <b>for the first time in Italy<\/b>, appears very close to the sensibility of the nascent Macchiaioli, but the <em>en plein air<\/em> study of the effects of light and chiaroscuro, which was the aim of the Tuscans, did not interest Degas, whose goal was to achieve a <b>perfect and refined<\/b> formal language, modeled on the ancient but capable of proposing contemporary content with a modern syntax.<\/p>\n\t\t\n<style>\n#text-1552025161 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_688620269 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section show-for-small\" id=\"section_790485456\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-1727482902\">\n\n\t<div id=\"col-779966829\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1509332776\" class=\"text slide-mostra\">\n\t\t\n<h2>Zandomeneghi in Paris: his conversion to Impressionism<\/h2>\n\t\t\n<style>\n#text-1509332776 {\n  color: #55425d;\n}\n#text-1509332776 > * {\n  color: #55425d;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-779966829 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1316548087\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-1-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"734\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-1-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-1-2.jpg 734w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Degas_e_italia-1-2-220x300.jpg 220w\" sizes=\"auto, (max-width: 734px) 100vw, 734px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_1316548087 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1041223059\">\n\n\t<div id=\"col-352908304\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2173653235\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Edgar Degas, <em>Dans un caf\u00e9<\/em>, 1876, Paris, Mus\u00e9e d&#8217;Orsay, Legs Isaac de Camondo, 1911<\/p>\n\t\t\n<style>\n#text-2173653235 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1645328093\" class=\"text\">\n\t\t\n<p>When he arrived in <b>Paris<\/b> in June 1874, Zandomeneghi was just under thirty-five years old and was a fully-fledged artist, with a particular skill in <b>figure painting<\/b>. But the following two years were marked by hesitation: he wrote to Signorini expressing his admiration for painters such as <b>Jules Breton<\/b> and <b>Carolus-Duran<\/b>, exponents of <b>Naturalism<\/b>, towards whom his former companions also seemed to be gravitating; but his sensibility led him towards less conventional, freer forms of painting. Soon the Seine, the woods, and the surroundings of Paris appeared to him in a new light, that emanating from the works exhibited by Pissarro, Guillaumin, Maureau, Monet, Renoir, and Sisley at the Impressionist group exhibitions of 1876 and 1877.<\/p>\n<p>In 1877, the Venetian artist&#8217;s name appears in <b>Degas&#8217;s correspondence<\/b>, revealing that the two artists had met and were spending time together.<br \/>\nA true manifesto of the Venetian artist&#8217;s conversion to Impressionism, the large painting <em>Le Moulin de la Galette<\/em> (1878) elaborates with originality certain ideas\u2014the photographic cut of the composition, the almost caricatural expressiveness of the figures, the broken and frozen gestures\u2014that were inspired by Degas&#8217;s paintings.<br \/>\nThe two artists shared the idea of an <b>art based on the observation of modern life<\/b>, individual character and social environments, as well as the value of drawing as a cognitive tool. \u201cThe pencil will be dipped in the essence of life,\u201d wrote Edmond Duranty, the theorist of Nouvelle peinture. In 1879, Zandomeneghi was invited by Degas to participate in the fourth <b>collective exhibition of the Impressionist group<\/b>.<\/p>\n\t\t\n<style>\n#text-1645328093 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_790485456 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section show-for-small\" id=\"section_1874464883\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-189255795\">\n\n\t<div id=\"col-836772053\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-4254327616\" class=\"text slide-mostra\">\n\t\t\n<h2>Zandomeneghi at the Impressionist exhibitions<\/h2>\n\t\t\n<style>\n#text-4254327616 {\n  color: #55425d;\n}\n#text-4254327616 > * {\n  color: #55425d;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-836772053 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_871258445\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti-1-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"761\" height=\"1200\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti-1-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti-1-2.jpg 761w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti-1-2-190x300.jpg 190w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_esposizioni_impressionisti-1-2-649x1024.jpg 649w\" sizes=\"auto, (max-width: 761px) 100vw, 761px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_871258445 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1105457699\">\n\n\t<div id=\"col-978732164\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-1677444281\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <i>Visit in the dressing room<\/i>, 1886, private collection<\/p>\n\t\t\n<style>\n#text-1677444281 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-726769455\" class=\"text\">\n\t\t\n<p>During the 1980s, Zandomeneghi&#8217;s work was marked by splendid paintings, clearly inspired by his total, highly personal <b>adherence to the French movement<\/b>: <em>M\u00e8re et fille, Place d\u2019Anvers, Il dottore, Le madri, Al caff\u00e8 Nouvelle Ath\u00e8nes, Visit in the dressing room<\/em> are some of the works that represent the artist at subsequent <b>exhibitions<\/b> of the French group. Aligned within the Impressionist movement with the \u201crealist\u201d or <b>\u2018dessinateurs\u2019<\/b> current led by Degas, Zandomeneghi preferred themes drawn from contemporary urban and domestic reality and gave life to a sort of <b>\u201cmodern humanism\u201d<\/b>, equidistant from the pure values of the major Impressionists and the narrative vein of the Naturalists.<\/p>\n<p><em>In Place du Tertre<\/em> Federico depicts the picturesque square located in the Montmartre district, not far from the Sacr\u00e9-C\u0153ur Basilica and therefore from his own home, a place frequented by artists, musicians, and poets: he captures a <b>fleeting moment<\/b>, a snapshot of everyday life with a diagonal cut that places us in the midst of a typical day in the bustling city. He returns to his domestic intimacy with <em>Mother and Daughter<\/em>, which features his mother Teresa and sister Tonina caught in the daily ritual of dressing. The atmosphere of modern Parisian life is captured with particular effectiveness in <em>Al Caf\u00e9<\/em> and <em>Al caff\u00e8 Nouvelle Ath\u00e8nes<\/em> , works that are presented here <b>for the first time together<\/b> with Degas&#8217;s famous <em>Dans un caf\u00e9<\/em>, in which the French artist portrays an absinthe drinker next to a corpulent male figure whom we recognize as the artist Marcellin Desboutin.<\/p>\n\t\t\n<style>\n#text-726769455 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\n<p>Ma alla visione implacabile e quasi crudele dell\u2019amico che deforma le figure e i loro gesti, si contrappone il naturalismo affettuoso di Zandomeneghi che accentua un\u2019atmosfera di <b>cordiale intimit\u00e0 e ferma le pose con eleganza<\/b>.<\/p>\n<p><em>Le tub<\/em> pone al centro della scena la tinozza in metallo destinata -nelle classi popolari- al bagno e che come tale compare in numerosi dipinti di autori impressionisti: una spessa linea nera di contorno stesa a pennello corre lungo i contorni della figura, accentuandone la bidimensionalit\u00e0 e accogliendo una pittura magra ed essenziale che richiama addirittura il <b>sintetismo di Gauguin<\/b>.<\/p>\n<p>In <em>Nudo che si asciuga<\/em> di Zandomeneghi ritroviamo l\u2019<b>affinit\u00e0<\/b> con la linea vibrante e indomita di <b>Degas<\/b> di opere come <em>Donna che esce dal bagno<\/em> e <em>Donna che si asciuga i capelli<\/em>: in quest\u2019ultimo carboncino, la struttura compositiva \u00e8 organizzata intorno al busto obliquo e presenta linee inclinate in diverse direzioni che suggeriscono l\u2019azione della donna che \u00e8 vista da tergo, come se l\u2019osservatore stesse osservando dal buco di una serratura.<br \/>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1874464883 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section show-for-small\" id=\"section_663583681\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-316487013\">\n\n\t<div id=\"col-1415670312\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2967486897\" class=\"text slide-mostra\">\n\t\t\n<h2>Il tema della danzatrice nei dipinti di Zandomeneghi<\/h2>\n\t\t\n<style>\n#text-2967486897 {\n  color: #55425d;\n}\n#text-2967486897 > * {\n  color: #55425d;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1415670312 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_85549757\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo-1-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo-1-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo-1-2.jpg 800w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo-1-2-240x300.jpg 240w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/poetica_del_nudo-1-2-768x960.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_85549757 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1556317546\">\n\n\t<div id=\"col-1412113106\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2708201441\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <i>Donna che si asciuga<\/i>, Charleston, 1895 circa, private collection<\/p>\n\t\t\n<style>\n#text-2708201441 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-4063302085\" class=\"text\">\n\t\t\n<p>1886 was the year of the <b>Impressionists&#8217; last collective exhibition<\/b>, whose cohesion was beginning to wane. Both Zandomeneghi and Degas exhibited oil and pastel paintings, mostly depicting <b>female nudes<\/b> and this coincidence is further proof of their similar artistic pursuits. Zand\u00f2&#8217;s <em>La toilette, La lecture, Le tub, Nudo che si asciuga<\/em> form a compact whole that highlights his exploration of the female nude, captured in poses that are part of the most ordinary <b>everyday life<\/b>, as in the similar subjects treated at the same time by Degas. But the relentless and almost cruel vision of his friend, who distorts the figures and their gestures, is contrasted by Zandomeneghi&#8217;s affectionate naturalism, which accentuates an atmosphere of <b>cordial intimacy and elegantly freezes the poses<\/b>.<\/p>\n<p><em>Le tub<\/em> places the metal tub used for bathing by the working classes at the center of the scene, which appears as such in numerous paintings by Impressionist artists: a thick black outline drawn with a brush runs along the contours of the figure, accentuating its two-dimensionality and welcoming a lean and essential painting style that even recalls <b>Gauguin&#8217;s synthetism<\/b>.<br \/>\nIn Zandomeneghi&#8217;s <em>Nudo che si asciuga<\/em>, we find an <b>affinity<\/b> with the vibrant and indomitable line of <b>Degas<\/b> in works such as <em>Woman Coming Out of the Bath<\/em> and <em>Donna che si asciuga i capelli<\/em>: in the latter charcoal drawing, the compositional structure is organized around the oblique bust and features lines sloping in different directions that suggest the action of the woman seen from behind, as if the observer were looking through a keyhole.<\/p>\n\t\t\n<style>\n#text-4063302085 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_663583681 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section show-for-small\" id=\"section_1253055856\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-122246947\">\n\n\t<div id=\"col-528727001\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-4274341835\" class=\"text slide-mostra\">\n\t\t\n<h2>The theme of the dancer in Zandomeneghi&#8217;s paintings<\/h2>\n\t\t\n<style>\n#text-4274341835 {\n  color: #55425d;\n}\n#text-4274341835 > * {\n  color: #55425d;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-528727001 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_725297452\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice-2-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"810\" height=\"1000\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice-2-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice-2-2.jpg 810w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice-2-2-243x300.jpg 243w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/degas_tema_danzatrice-2-2-768x948.jpg 768w\" sizes=\"auto, (max-width: 810px) 100vw, 810px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_725297452 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1958577130\">\n\n\t<div id=\"col-1859958515\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-4027511016\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\"> Edgar Degas, Classe de ballet, 1880 circa, private collection<\/p>\n\t\t\n<style>\n#text-4027511016 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-1250272997\" class=\"text\">\n\t\t\n<p><em>Visita in camerino<\/em> di Zandomeneghi represents a rare foray into the <b>world of entertainment<\/b> and <b>themes favored by his friend Degas<\/b>, even if his approach to them is completely different. The French artist devoted himself to studying the movements of <b>individual figures<\/b>, captured with increasingly synthetic strokes and an increasingly casual perspective, preferably from above, as in the beautiful <em>Dancer Adjusting Her Slipper<\/em> (1885), in which the <b>pastel technique<\/b> allows for an extraordinary, almost caressing rendering of the <b>effects of light<\/b> on the white tulle, while the touch of blue, although referring to the concrete and usual presence of an ornamental ribbon, is in reality the trace, the <b>trail of a movement<\/b> captured by the artist.<\/p>\n<p>After all, Degas is primarily interested in the movement of the dancers, their muscular tension, and the fatigue that often makes those bodies as <b>ungainly as they are real<\/b>. Despite the similarity of the theme, Zandomeneghi never strays from a <b>formal composure<\/b>, and in <em>Visita in camerino<\/em> (Visit to the Dressing Room), with a painting technique using small touches that resolves the the chromatic mixture into tiny bright and shiny fragments, he shows us in the foreground the dancer sitting at the dressing table while conversing and smiling with an admirer whose silhouette is mercilessly trimmed to leave room for the girl who, in her tulle dress, appears like a large white flower streaked with pink tones, due to the cold reflections provided by the artificial light.<\/p>\n\t\t\n<style>\n#text-1250272997 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1253055856 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: #ce6a4f;\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section show-for-small\" id=\"section_296773770\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row\"  id=\"row-932894514\">\n\n\t<div id=\"col-1551365960\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2036244173\" class=\"text slide-mostra\">\n\t\t\n<h2>A new stylistic feature<\/h2>\n\t\t\n<style>\n#text-2036244173 {\n  color: rgb(85, 66, 93);\n}\n#text-2036244173 > * {\n  color: rgb(85, 66, 93);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1551365960 > .col-inner {\n  padding: 0px 0px 0px 0px;\n  margin: 0px 0px 0px 0px;\n}\n<\/style>\n\t<\/div>\n\n\t\n<\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_17195636\">\n\t\t<a class=\"image-lightbox lightbox-gallery\" title=\"\" href=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2.jpg\">\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"831\" src=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2.jpg\" class=\"attachment-original size-original\" alt=\"\" srcset=\"https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2.jpg 1000w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2-300x249.jpg 300w, https:\/\/www.palazzoroverella.com\/wp-content\/uploads\/2026\/02\/Zando_anni_italiani_nuova-2-768x638.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/a>\t\t\n<style>\n#image_17195636 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-362260106\">\n\n\t<div id=\"col-377869189\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2259641116\" class=\"text\">\n\t\t\n<p style=\"font-size: 12px!important; padding-right: 10px!important;\">Federico Zandomeneghi, <i>Bambina dai capelli rossi<\/i>, 1895 circa, private collection, Milan<\/p>\n\t\t\n<style>\n#text-2259641116 {\n  text-align: right;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"text-2310770019\" class=\"text\">\n\t\t\n<p>Zandomeneghi was always close to Degas, whether because of their undeniable <b>similar cultural tastes<\/b>, their <b>genuine friendship<\/b>, or the undoubted attraction that the great French master exerted on the Venetian, as indeed on all his contemporary artists. Degas, who also counts him among his regulars along with the sculptor Paul-Albert Bartholom\u00e9, does not spare him his sarcasm, and when inviting him to pose for a sculptural portrait, he rebukes him with \u201cZandomeneghi, vous qui n&#8217;avez rien \u00e0 faire&#8230;\u201d (\u201cZandomeneghi, you who have nothing to do&#8230;\u201d), hurting his pride. Underlying this was a <b>malicious retaliation<\/b> against the Italian who had come to rival Degas, as well as Renoir, for the favors of the great art dealer Paul Durand-Ruel. From 1894 onwards, Zandomeneghi was linked to the famous auction house by an <b>exclusive contract<\/b>. He therefore developed a more peaceful view of the themes and subjects dear to Impressionism, devoting himself above all to research into color, which led him to further enhance the <b>Venetian palette of his origins<\/b>.<\/p>\n<p>Zand\u00f2 does not paint goddesses or divas, but rather young women from the Parisian middle class, who keep up with fashion, leaf through magazines, wear trendy clothes, and often meet for tea in the comfortable interiors of their apartments. The painter measures himself against the <b>cynicism of Degas<\/b> and the <b>sweetness of Renoir<\/b> to find his own stylistic signature, namely solid forms infused with color, soft contours filled with velvety surfaces and strong colors, rendered mainly in pastel. He thus creates <b>a repertoire of great refinement and elegance<\/b>, the well-known and beloved signature of his mature work.<\/p>\n\t\t\n<style>\n#text-2310770019 {\n  text-align: left;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_296773770 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(206, 106, 79);\n}\n<\/style>\n\t<\/section>\n\t\n\n\n\n\t<section class=\"section sponsorizzata\" id=\"section_347155866\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row row-small\"  id=\"row-1999085338\">\n\n\t<div id=\"col-1043353229\" class=\"col medium-2 small-9 large-2\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"text-2176213929\" class=\"text\">\n\t\t\n<p style=\"font-size: 14px!important;\">Mostra promossa da<\/p>\n\t\t\n<style>\n#text-2176213929 {\n  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30px;\n}\n<\/style>\n\t<\/div>\n\t\n\n<a href=\"https:\/\/10be8671.sibforms.com\/serve\/MUIFAE5xn9GAcu3VxOhuc-uvbewPC_gQgSh-B9EDhk27C3CGBRhX7n6UBQy8JUGteEwvhBqBkv9FJilv9jVDW_m3IvKVVBdbn-z_X8m4w5Yx2t3biDSqp52_KBE9mZkysmvNAfWL3A1ilxEMQGv9GTliP__AevzB590uPfR3EfbvXtblOv27lHjv2cVyX40nuiq5XJ0ujAw1uwjU\" class=\"button primary is-outline expand show-for-small\" style=\"border-radius:10px;\">\n\t\t<span>Sign up for our newsletter<\/span>\n\t<\/a>\n\n\n\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1765139982 > .col-inner {\n  padding: 30px 0px 0px 4px;\n  margin: 0 0px 0px 0px;\n}\n@media (min-width:550px) {\n  #col-1765139982 > .col-inner {\n    padding: 40px 0px 0px 0px;\n  }\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<\/div>\n\n\t\t<\/div>\n\n\t\t\n<style>\n#section_650409838 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n}\n#section_650409838 .section-bg-overlay {\n  background-color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/section>\n\t\n\n\n\n\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-transparent-header-light.php","meta":{"footnotes":""},"class_list":["post-14884","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Zandomeneghi e Degas. 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